Good Morning, Good Afternoon, Good Evening—wherever this newsletter finds you, I hope you’re well?
World Art Expo ‘25 - A New Addition To My Practice.
Back in January, I mentioned that I was developing a new and innovative body of work to be exhibited by Azart Gallery at the upcoming World Art Expo ‘25 in Seoul, South Korea.
Last year, I started noticing something intriguing—my studio cloths and rags, used to clean my brushes, were unintentionally creating their own little abstract compositions. Inspired by these marks and textures, I began experimenting with AI and digital generative artwork, using these organic markings as starting points.
The image above is the AI/digital interpretation of the image below—a close-up of one of my cleaning cloths. While AI played a role in generating the piece, I had to refine it further using an art app to get it to a point that I was happy with. As mind-blowing as AI technology is, creative control is key. Despite embracing new technology since childhood, I strongly believe humans should always remain in control of AI. 🤞🏾
Why AI?
Especially when so many artists refuse to acknowledge or engage with it?
With a degree in graphic and digital design, I’ve always been an early adopter of new technology, my first lesson at college was Photoshop, for me and many others, ai has been part of our education and adopting new technology allows me to explore and develop new creative processes especially when I’m out of the studio. By starting with something original, refining it through persistent prompting, regenerations, and manual editing, I’ve found a way to create more affordable art prints while in-keeping with my artistic practice.
You can explore the new collection here:
Generative AI Art Prints
Alinda Kring Advisory x Coya City Residency
February 2025
I’m incredibly grateful to be working with Alinda Kring Advisory, who have selected some of my bold abstract paintings and prints for a three-month residency at members’ bar, Coya City in central London.
The display launches this Tuesday, 4th February, in the Coya City lounge area. I’ll be sharing photos and videos of the launch on Instagram and in my next newsletter!
Landscape Artist of the Year, 2025
You may remember that last June, I took part in the filming of Landscape Artist of the Year 2025 as a wildcard entry. The new season has now started on Sky Arts, but my episode—filmed at Bristol Harbourside—has yet to air.
As soon as I know the date, I’ll send an update! The experience was an exciting challenge and such a great way to step outside my comfort zone. I’m very tempted to apply again!
The Affordable Art Fair, New York
March 2025
My first-ever Affordable Art Fair in the U.S.!
A huge thank you to Azart Gallery for selecting my work for this fair in New York City - this is quite literally a dream come true! More details will follow in my March newsletter and PV and weekend invites will be sent to my NY based collectors.
In The Studio – It’s The Little Things…
I’m closing this month’s newsletter with another image of a cloth that inspired a new AI generative work. To see the series in full, please click on the image.
Some of the personal challenges I faced last year meant I couldn’t get out and about seeing new art, spending time with friends or even going for walks as much as I’d have liked. But I made a conscious effort to look for the good—and inspiration was waiting for me in the everyday objects I might have otherwise discarded.
Thank you for taking the time to read my news, until next time and with gratitude,
Courtenay.